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Issued date: 2007-06

Citation: Archivos de la filmoteca, Nº 56, 2007 , págs. 10-15

ISSN: 0214-6606

Rights: Atribución-NoComercial-SinDerivadas 3.0 España

Abstract:This article examines the context that gave rise to a fruitful dialogue between avant-garde and realist cinemas during the 1930s, especially in documentary films: a new kind of vision was being carved out. New perspectives were bringing to light fascinating foThis article examines the context that gave rise to a fruitful dialogue between avant-garde and realist cinemas during the 1930s, especially in documentary films: a new kind of vision was being carved out. New perspectives were bringing to light fascinating formal correlations between abstract art and film images of extreme close-ups or extreme amplifications. At the same time avant-garde filmmakers were facing aesthetic and ethic challenges and found in film the perfect medium for intervening in that reality, knowing that it would play a central role as an instrument of social change.+-

Description: 

Monográfico dedicado a: -De la vanguardia al realismo: poéticas de pasaje- Coordinadora.: Sonia García López 

Web del editor: http:-www.archivosdelafilmoteca.com 







Autor: García López, Sonia

Fuente: http://e-archivo.uc3m.es



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