Pilar cuder-domínguez, ed. 2014. genre in english literature, 1650-1700: transitions in drama and fiction. amherst, ny: cambria press Reportar como inadecuado




Pilar cuder-domínguez, ed. 2014. genre in english literature, 1650-1700: transitions in drama and fiction. amherst, ny: cambria press - Descarga este documento en PDF. Documentación en PDF para descargar gratis. Disponible también para leer online.

SEDERI Yearbook 2015, 25

Autor: Jonathan Sell

Fuente: http://www.redalyc.org/articulo.oa?id=333543052010


Introducción



SEDERI Yearbook ISSN: 1135-7789 sederiyearbook@yahoo.es Spanish and Portuguese Society for English Renaissance Studies España Sell, Jonathan Pilar Cuder-Domínguez, ed.
2014.
Genre in English Literature, 1650-1700: Transitions in Drama and Fiction.
Amherst, NY: Cambria Press SEDERI Yearbook, núm.
25, 2015, pp.
175-180 Spanish and Portuguese Society for English Renaissance Studies Valladolid, España Available in: http:--www.redalyc.org-articulo.oa?id=333543052010 How to cite Complete issue More information about this article Journals homepage in redalyc.org Scientific Information System Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Non-profit academic project, developed under the open access initiative Pilar Cuder-Domínguez, ed.
2014 Genre in Englísh Literafure, I650-I7oo: Transifions in Drama and Fíefion Amherst, NY: Cambria Press Jonalhan SeH Universidad de Alcalá de Henares, Spain The litle of lhis coHection of seven essays ediled by Pilar CuderDomínguez is alubitious in scope, its subtitle, despite excluding poetry, only slighlly less so.
Tilles are tricky lhings and often have lo be negotialed wilh publishers (an earlier lille for this coHection, Critical Explomtions of Genre in English Literatllre, 1650-1700, appears ghost-like on p.
xi); yet on the whole, the book manages to chew most of what it bites off, which is no mean feal.
It unpicks whal Cuder-Domínguez terms in her brief Introduction the -neat evolutionary pattern- (ix-x) into which critics, sights sel firmly on lhe eighleenlh cenlury, generaHy shoe-horn lilerature of lhe second half of the seventeenth century; it throws much new and fascinating light onto Restoration dranla; and it corroborates the in1portance of female agency, whether as author, reader or protagonist, in the gradual elnergence of the novel.
Indeed, five of the contributions nlake a convincing case fay the need to appraise issues of genre in fiction and drama alike from the pe...





Documentos relacionados