Performance, humor, discourse of salvation and eternal return in the novel miss lonelyhearts Reportar como inadecuado




Performance, humor, discourse of salvation and eternal return in the novel miss lonelyhearts - Descarga este documento en PDF. Documentación en PDF para descargar gratis. Disponible también para leer online.

Ilza Matias de Sousa ;Acta Scientiarum. Language and Culture 2015, 37 1

Autor: Evaldo Gondim dos Santos

Fuente: http://www.redalyc.org/articulo.oa?id=307437749004


Introducción



Acta Scientiarum.
Language and Culture ISSN: 1983-4675 eduem@uem.br Universidade Estadual de Maringá Brasil Gondim dos Santos, Evaldo; Matias de Sousa, Ilza Performance, humor, discourse of salvation and eternal return in the novel Miss Lonelyhearts Acta Scientiarum.
Language and Culture, vol.
37, núm.
1, enero-marzo, 2015, pp.
17-23 Universidade Estadual de Maringá .jpg, Brasil Available in: http:--www.redalyc.org-articulo.oa?id=307437749004 How to cite Complete issue More information about this article Journals homepage in redalyc.org Scientific Information System Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Non-profit academic project, developed under the open access initiative Acta Scientiarum http:--www.uem.br-acta ISSN printed: 1983-4675 ISSN on-line: 1983-4683 Doi: 10.4025-actascilangcult.v37i1.24024   Performance, humor, discourse of salvation and eternal return in the novel Miss Lonelyhearts Evaldo Gondim dos Santos* and Ilza Matias de Sousa Programa de Pós-graduação em Estudos da Linguagem, Departamento de Letras, Centro de Ciências Humanas, Letras e Artes, Universidade Federal do Rio Grande do Norte, Av.
Salgado Filho, 3000, 59078-970, Natal, Rio Grande do Norte, Brazil.
*Author for correspondence. E-mail: evaldogondim@yahoo.com.br ABSTRACT.
This article aims at analyzing the relationship between fiction and salvific discourse in the novel Miss Lonelyhearts (1933), by Nathanael West, understanding this problematic narrative as a liberating performance of the humor classified as black, from which dogmatic contents are dissociated, with a shift beyond the psychological dimension and religious representations that contents take into account.
To do so, we carried out our reading by making use of the myth of Dionysus that allows us to articulate the vertiginous logics that takes place in West’s text, leading it to the nonsense that contaminates the religious discourse and deposes it from the sovereign ...





Documentos relacionados