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MonTI. Monografías de Traducción e Interpretación 2012, 4

Autor: Anna Maszerowska

Fuente: http://www.redalyc.org/articulo.oa?id=265125413003


Introducción



MonTI.
Monografías de Traducción e Interpretación ISSN: 1889-4178 monti.secretaria@ua.es Universitat de València España Maszerowska, Anna CASTING THE LIGHT ON CINEMA - HOW LUMINANCE AND CONTRAST PATTERNS CREATE MEANING MonTI.
Monografías de Traducción e Interpretación, núm.
4, 2012, pp.
65-85 Universitat de València Alicante, España Available in: http:--www.redalyc.org-articulo.oa?id=265125413003 How to cite Complete issue More information about this article Journals homepage in redalyc.org Scientific Information System Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Non-profit academic project, developed under the open access initiative CASTING THE LIGHT ON CINEMA – HOW LUMINANCE AND CONTRAST PATTERNS CREATE MEANING1 Anna Maszerowska Universitat Autònoma de Barcelona (Spain) Centre dAccessibilitat i Intel·ligènciaanna_maszerowska@o2.pl Ambiental de Catalunya anna_maszerowska@o2.pl Abstract The question of meaning creation has always been at the core of cross-disciplinary scholarly research.
Considered from the cinematographic perspective, it inevitably evokes correlations with plot and dialogue.
However, the conveyance of significance in films does not rely solely on the verbal channel, but also manifests itself in the visual layer, ranging from facial expressions, setting and locations, to directorial editing choices.
Elevating the role of the how of film making, this article focuses on the influence of light and contrast patterns on the reading of cinema.
In order to highlight their position in film text vocabulary and recognize their relevance in film translations and adaptations, this paper discusses the role of luminance patterns in active perception within motion pictures, explores their potential contribution to plot completion, and investigates the processes of filmic content hierarchization supported by light and contrast. Resumen La cuestión de la creación del sentido siempre ha sido recurren...





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